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best yo la tengo song

It’s a miniature epic of ethereal noise, with Kaplan and Hubley harmonizing over his heavily processed guitar and McNew’s loping bassline for three blissful minutes, before launching into one of Kaplan’s noisiest and most volcanic guitar solos. McNew, who has released a few albums of tender four-track pop under the name Dump, first took lead on a Yo La Tengo album with “Stockholm Syndrome.” The concert favorite is a warm and tightly written look at romantic confusion, sung with McNew’s Neil Young-ish high-pitched sigh of a voice. Close. Since forming in 1984, this trio has remained one of indie music's most reliably lovable bands. Yo La Tengo burst back after 2003’s middling Summer Sun with one of their most powerful jams ever. It’s less of a song than a blurry, indistinct impression of a song, but it’s something I could listen to dozens of times in a row. About halfway through its seven or so minutes, Kaplan unleashes another one of his splattering guitar solos, and although it’s no less unhinged that what you expect from him, it stays fully alongside the song’s deliberate groove, which makes it notably slower than his typical skull-bursting solos. They reached an early peak with “I Heard You Looking”, the final song on 1993’s Painful, and a piece they still regularly play at concerts today. Earlier this month Matador released Extra Painful, a double-sized edition of Yo La Tengo’s 1993 breakthrough Painful. It starts with Hubley’s soft voice on “Decora” floating atop a wash of guitar that has enough distortion and tremolo on it to pass for something off My BLoody Valentine’s Loveless. Fakebook is mostly an album of covers but one of its few originals is also one of the band’s most beloved songs. You know those songs that sound so sad that they pretty much always make you sad, but are so beautiful and moving that you still can’t stop listening to them? Instead of reconstructing my top 20 list, I’ve expanded it to a top 40, spanning the entirety of Yo La Tengo’s 30-plus-year career. Sadly One Direction’s song of the same name isn’t a cover. “Tom Courtenay” / “Tom Courtenay (Acoustic)”. “More Stars Than There Are in Heaven”, 12. Hubley had sung on Yo La Tengo records before Painful, but “Nowhere Near” was her coming out party. And they do it all with the same level of proficiency, confidence and humility. Nope, this isn’t a cover. Yo La Tengo - Popular Songs: Amazon.nl Selecteer uw cookievoorkeuren We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen … If Yo La Tengo broke up in 1989 this would’ve been the song most likely to pop up on a Rhino college-rock compilation. I'm guessing You Can Have It All is left off the list because it's a cover, even though it's one of my favourite things Yo La Tengo has ever done. © 2020 Paste Media Group. In the liner notes of the CD reissue of the band’s first album, Ride the Tiger, Kaplan wrote about the band’s “timid folk-rock souls.” The first song on their third album isn’t a clean break from the college rock of Ride the Tiger, which was proficient but unspectacular and has aged relatively poorly compared to the rest of their catalogue, but its clean guitar and bouncy bass are underlined with a looping guitar squeal that plays throughout the entire song. Bookmark Removed. Let us know your favorites in the comments, or better yet, send your comment to Yo La Tengo and see if the band will reinterpret it for you. With its textures and polyrhythms “Autumn Sweater” sounded like a love song written by Tortoise when it came out in 1997. It is their 7th album released on Matador and the eighth album to be given Matador's Buy Early Get Now treatment. Here’s one of them. It’s a slice of bubblegum drenched in noise, from Kaplan’s feedback heavy guitars to the thick organ drone that fills in for the bass. The droning first song on Fade piles three-way harmonies, assorted guitar crust and pop song doot-doot-doots over a one-chord chugger driven by Hubley’s simple beat. “Cornelia and Jane” is a showcase for her heart-breaking voice, which is Yo La Tengo’s greatest instrument. But what makes it great is Hubley’s background vocals. All Rights Reserved, If There’s Really a Riot Going On, Yo La Tengo Aren’t Saying What It Is, 14. TheRealYLT. There’s nothing flashy here but it’s one of the most powerful songs I’ve ever heard. These aren’t complaints, though, as it’s a classic rocker and a winning stylistic exercise. “From a Motel 6” might have a downmarket name but it seems “classy” in a way most of the band’s stuff isn’t, like it should soundtrack a Virgin Air flight or a W Hotel lobby. Ira sounds torn apart when he begins to sing as the seconds count down till the end of the record. It’s the kind of slow-burn grower where the songs I love most today, at release, could very easily not be the songs I love most months or years from now. It’s a wordless journey as cathartic as any song with vocals, and has both the loose charm of improvisation and the smartly designed structure of a pop song. It turns the modest aspirations of the lyrics, with the band predicting a big day ahead while taking it slow and playing Rolling Stone covers, into an aching ode to making music for the love of making music. Painful was an important milestone for the band, though, and not just because it was their highest profile release at the time or their first sustained artistic success. (For accuracy’s sake it could’ve been called “one man’s 20 favorite Yo La Tengo songs,” but that wouldn’t work as well on Google.) Album: Fade (2013) “Barnaby, Hardly Working” is a beautiful droning pop song and the best original the band recorded in the 1980s. In a way this is almost like its own small, self-contained mission statement for Yo La Tengo’s entire career. Stylistically similar to the No. Released 8 September 2009 on Matador (catalog no. Bassist James McNew first played on the 1992 album May I Sing With Me, but Painful was his first album as a full-fledged member. Album: I Can Hear the Heart Beating as One (1997) After a few fine but faceless college-rock albums in the 1980s, Yo La Tengo revealed a masterful ability to unite melody and noise near the end of the decade. Like most of And Then Nothing Turned Itself Inside-Out, this song avoids the noise and distortion and focuses on ethereal organ and acoustic guitar strums, underpinned with brushed drums and McNew’s bass melodies, as Kaplan sings about the early days of his relationship with Hubley. Album: Painful (1993) Painful is almost bookended by two versions of “Big Day Coming.” There’s a noisier, rocking take before the album’s final song that has an ersatz shoegaze vibe similar to “From a Motel 6.” That’s not the version we’re talking about here. In “Pass the Hatchet, I Think I’m Goodkind” an almost funky four-note bassline plods along with no variation as torrents of noise from Kaplan’s guitar flood over everything. Yo La Tengo were already indie rock veterans when Painful first came out. She can devastate without overemoting and while barely budging off a note. Genres: Indie Rock, Noise Pop, Dream Pop. It’s a slice of bubblegum drenched in noise, from Kaplan’s feedback heavy guitars to the thick organ drone that fills in for the bass. They have a lot of songs that sound like improvisational jams. While the songs from Fade on the list are indeed the highlights of the album, I personally don't find them to be greater than many of the songs left off the list. This early song is a catchy folk tune with pop hooks (think brushed drums and an acoustic guitar playing an ascending three-note major chord riff) and Dylan-esque vocals from Kaplan. Album: Electr-O-Pura (1995) Kaplan and Hubley sing the low-key “The Summer” together, but it’s her voice that sticks with me—a simple, pure, honest voice that makes this acoustic gem one of their most touching songs, even if the lyrics are a bit inscrutable. Albums include I Can Hear the Heart Beating as One, And Then Nothing Turned Itself Inside-Out, and Painful. List of the best Yo La Tengo songs, ranked by fans like you. Painful is almost bookended by two versions of “Big Day Coming.” There’s a noisier, rocking take before the album’s final song that has an ersatz shoegaze vibe similar to “From a Motel 6.” That’s not the version we’re talking about here. Unlike “Big Day Coming,” it’s a toss-up as to which one’s better. I'm happy that Blue Line Swinger and Nowhere Near made the top 10, but I think overall if you include the top 20 you have a pretty balanced list of YLT's best … Sadly One Direction’s song of the same name isn’t a cover. Built around an organ, a shaker and two drum kits, “Autumn Sweater” is austere but rhythmically and emotionally rich. Yo La Tengo have a lot of quiet songs. I Am Not Afraid of You and I Will Beat Your Ass. This week! Album: Popular Songs (2009) Painful was also the first album where Yo La Tengo’s disparate influences congealed into a fully formed style of the band’s own, from early ‘60’s folk and pop to the post-Velvets diaspora of noise and punk. It might sound weird to commend the restraint of a band that’s partially known for very long jams and almost comical contortions during Kaplan’s unhinged guitar solos, but there’s always been a strong streak of restraint running through the band, and “Our Way to Fall” is a fantastic example of that. Perfect time to look at their 20 best songs. (1) Spin-The-Wheel (1) Spinning Wheel Tour (2) Stuff Like That There (1) Stuff Like That There (Acoustic with Dave Schramm) (39) Summer Sun (1) Since 1992 the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew Album: Painful (1993) “Damage” is one of their most delicate songs even though it’s encased in a constant low grade buzz. With its textures and polyrhythms “Autumn Sweater” sounded like a love song written by Tortoise when it came out in 1997. Bassist James McNew, who has released a few albums of tender four-track pop under the name Dump, first took lead on a Yo La Tengo album with “Stockholm Syndrome.” The concert favorite is a warm and tightly written look at romantic confusion, sung with McNew’s Neil Young-ish high-pitched sigh of a voice. The contrast between Hubley’s voice and the buzz of Kaplan’s guitar somehow makes this song both aching and anthemic at the same time. Album: Painful (1993) Painful is where Yo La Tengo really came into their own, and mid-album track “Sudden Organ” introduced what became a longstanding subgenre of Yo La Tengo songs: heavy freakouts on one of those old ‘60s electric organs that can sound like a thick, impregnable monolith when played properly. To mark the release of the Jersey trio's 15th album, we dig into their catalog for the best of the best. Album: Fade (2013) The restraint is remarkable, especially since Kaplan routinely plays guitar like he’s one of those weird air balloon creatures at a used car sale. It’s a lengthy, swirling, two-chord drone with barely whispered vocals from Kaplan. They don’t have a lot of songs that do both, and the best one in that small subset is this song from Electr-O-Pura. Discover releases, reviews, credits, songs, and more about Yo La Tengo - Popular Songs at Discogs. There’s a Riot Going On is a good one, but so far none of its songs have bumped off any of my absolute favorites. The husband-wife team of guitarist Ira Kaplan and drummer Georgia Hubley started the band in Hoboken in 1984, and released four albums with a variety of partners and sidemen and on a handful of labels before incorporating bassist James McNew on the 1992 full-length May I Sing With Me. The central lyric, “I wanna see my heart’s reflection in your eyes”, couldn’t be less guarded, but Kaplan visibly squirms when I ask if it is about his love for Hubley. And although they’re rightfully celebrated for their covers, we’re only going to look at songs the band wrote. Yo La Tengo are massive softies: My Heart’s Reflection is one of their many beautiful, rather smoky love songs with half-sung, half-spoken vocals. “No matter what I’m writing about, I always feel like I’m talking to Georgia and James. There’s nothing flashy here but it’s one of the most powerful songs I’ve ever heard. It’s catchy in a classical sense, like something Jackson Browne could’ve written, and it has a bit of edge with the drug references, but it never would’ve gotten played on regular rock stations when it came out. It's officially “Autumn Sweater” season — both the garment and the 1997 Yo La Tengo song. With Extra Painful taking over our turntables this month, let’s look back at the band’s best songs. I hope people in 2014 know who Tortoise are. Yo La Tengo burst back after 2003’s middling Summer Sun with one of their most powerful jams ever. 24 below), “False Alarm” is another rhythm-heavy, overdriven organ jam, with Kaplan pounding out the indie-rock equivalent of Cecil Taylor’s nontraditional piano chords over Hubley and McNew’s steady rhythms. (“The Room Got Heavy” sounds so much like an Oneida song that that band eventually covered it.). It’s significantly better than any twelve-minute song about rock clubs misspelling a band’s name should probably be. Amongst many highlights was Mr Tough which was stunning. Yo La Tengo discography and songs: Music profile for Yo La Tengo, formed 1984. Album: Popular Songs (2009) At the moment “For You Too” has made the best impression; sure, it’s the closest to a conventional pop song on the record, but like “Little Eyes,” it brings a sense of structure and motion to a record that otherwise threatens to drift away. Kaplan’s guitar eventually gets louder and more erratic, colliding with the rhythm at odd angles and in clusters of notes that sound like they’re collapsing. Not just an amusing subject to a The Onion mock headline, Yo La Tengo have been stalwarts of the college radio scene for more than three decades, mining their dream pop, discordant noise and deeply melodic furrow over numerous releases, with a back catalogue that varies from the luscious to the almost provocatively obtuse, but never dull. “Sugarcube” might be the band’s most perfectly crafted pop song. Message Bookmarked. The typical Kaplan guitar solo takes the sort of guitar lines you’d expect from a traditional pop song and turns them into free jazz skronk. Just over three years ago, I wrote about Yo La Tengo’s 20 best songs. I’ve listened to this song more than anything else Yo La Tengo have ever recorded. Music video by Juanes performing La Camisa Negra. That’d be a tall order for any band. It’s one of those pop songs that sounds effortless. And if you’re somehow wondering who these Yo La Tengo cats are in the first place, well, they’re a rock band—a really good rock band. Album: Painful (1993) Hubley’s steady beat keeps the whole thing together. It aims for icy cool but it can’t hide the band’s fundamental warmth. “Pass the Hatchet, I Think I’m Goodkind”, 3. The original album version is a big, anthemic rock song, something you blast from your car with the windows down or pump your fists along to at a concert. Album: And Then Nothing Turned Itself Inside-Out (2000) This slow-burning epic starts off mellow and grows into a surprisingly powerful (and noisy) tour de force. Yo La Tengo (1984, Hoboken, New Jersey) is een Amerikaanse indierockband.. De albums van Yo La Tengo zijn altijd gekenmerkt door lovende recensies gecombineerd met lage verkoopcijfers. Built around Hubley’s serene vocals and a stately organ line, “Nowhere Near” is an assured and matter-of-fact love song for adults. Complete your Yo La Tengo collection. It’s a jaunty little number built around multiple organ lines, a dance beat and unusually upbeat vocals from Hubley. What are the best Yo La Tengo songs? This slow-burning epic starts off mellow and grows into a surprisingly powerful (and noisy) tour de force. Most bands eventually coast on the goodwill of their early work, but Yo La Tengo has remained vital into its fourth decade. 2009’s “More Stars Than There Are in Heaven” might have the strongest such influence, and more than anything else in the band’s repertoire sounds like something that could be on a My Bloody Valentine album. Posted by. It sounds a bit like the somber, ghostly folk music of Jackson C. Frank, but with some muted organ drones and high bass notes keeping it aloft. “Cornelia and Jane” is a showcase for her heart-breaking voice, which is Yo La Tengo’s greatest instrument. Album: Electr-O-Pura (1995) Painful defined Yo La Tengo in a way no previous album had, but it was on the next album, Electr-O-Pura, that they started to explore in earnest what they were capable of. Thus ends another perfect Yo La Tengo album---their third, by the way---and thus ends any objectivity I’ve tried to establish with this review. Georgia Hubley’s voice might be flat but it isn’t affectless. They’re about as likely to play a three-minute pop gem as they are a forlorn folk song, a 10-minute one-note drone, a cover of a classic hit from the ‘70s, or a crazed, 20-minute noise jam. It’s maybe the earliest of Yo La Tengo’s shoegazery attempts, a good year or so after that fad had died in England, and maybe that’s why it’s a bit chillier than the rest of Painful. Our top ten Yo La Tengo songs. It’s not like it celebrates drugs, though—when Kaplan sings “I wish I was high”, he’s depressed, nerdy and resigned, interested less in feeling good than in not feeling bad anymore. Album: May I Sing With Me (1992) May I Sing With Me is a transitional record in the band’s discography. Yo La Tengo turned 30 this year and just released a double-sized reissue of their 1993 album Painful. Popular Songs is the twelfth full-length album by Hoboken-based rock band Yo La Tengo, released digitally, on CD, and double LP on September 8, 2009. The restraint is remarkable, especially since Kaplan routinely plays guitar like he’s one of those weird air-balloon creatures at a used car sale. “You know, yes, I would say the lyrics that I write are, if I’m not … ” He starts again. Unlike “Big Day Coming”, it’s a toss-up as to which one’s better. Album: I Can Hear the Heart Beating as One (1997) Read: If There’s Really a Riot Going On, Yo La Tengo Aren’t Saying What It Is. Hubley sings the title almost wordlessly, arcing the melody above a great guitar hook and a stolid bass line, finding tenderness within the noise. Album: President Yo La Tengo (1989) Hell, they were already indie rock veterans when people were still calling it college rock, with a history that stretches back to 1984. This song though is one of the many closers by Yo La Tengo to occupy the list as it is one of their best. Toch is de aanhang van de band langdurig en gestaag groeiend en speelt de band vandaag de … It’s not just the room that got heavy—the multiple organ parts in this song are thick, unrelenting blasts of sound smothering the polyrhythms kicked up by a stripped-down drum set and some hand percussion. It's not perfect. They are masters of both sweet pop simplicity and lengthy guitar drones. Album: Electr-O-Pura (1995) This gorgeous instrumental, driven by the sound of crickets and a quiet egg shaker, captures the wonder of sitting on a porch on a lazy summer night while idly plucking a guitar. Yo La Tengo made a major creative leap forward with 1992's May I Sing with Me, where their yin-and-yang mix of quiet and loud finally began to work as well as it was meant to, but 1993's Painful was where they truly hit their stride, their first album to confirm they were one of the best independent bands extant. If Yo La Tengo broke up in 1989 this would’ve been the song most likely to pop up on a Rhino college rock compilation. Album: There’s a Riot Going On (2018) They’re mostly just wordless ahhhhs, but it’s a crucial element that elevates the whole song and also points to what will become one of the band’s most defining sounds. No other Yo La Tengo song quite sounds like this one, making it a standout on what was already their most musically diverse album. The best of them is “Little Eyes,” one of the few songs to break through the bland uniformity of the record’s production. 1 song on our list, “The Story of Yo La Tango” was released more than a decade later, and over 20 years into the band’s career. It’s been 25 years since Fakebook, the record where Yo La Tengo first released this song. Their newest record was mostly created in the studio, with the band jamming extensively and then whittling that work down into semi-recognizable songs. The series of albums between 1993’s Painful and 2000’s And Then Nothing Turned Itself Inside-Out is almost flawless and saw Yo La Tengo grow and challenge themselves in surprising ways. One of the album’s better efforts was rescued in an EP later that year and given a rollicking rock ’n’ roll treatment in the vein of “Sugarcube” and the original “Tom Courtenay.” The contrast between Hubley’s voice and the buzz of Kaplan’s guitar somehow makes this song both aching and anthemic at the same time. Album: Fade (2013) It’s less of a song than a blurry, indistinct impression of a song, but it’s something I could listen to dozens of times in a row. Genres: Indie Rock, Indie Pop. In the liner notes of the CD reissue of the band’s first album, Ride the Tiger, Kaplan wrote about the trio’s “timid folk-rock souls.” The first song on their third album isn’t a clean break from the college rock of Ride the Tiger, which was proficient but unspectacular and has aged relatively poorly compared to the rest of their catalogue, but its clean guitar and bouncy bass are underlined with a looping guitar squeal. Yo La Tengo covered Fancy, Smile a Little Smile for Me, Rocket # 9, The Hokey Pokey and other songs. Kaplan and Hubley sing the low-key “The Summer” together, but it’s her voice that sticks with me, a simple, pure, honest voice that makes this acoustic gem one of their most touching songs, even if the lyrics are a bit inscrutable. “Tom Courtenay” / “Tom Courtenay (Acoustic)”. Shakers, handclaps and Hubley’s mechanical drumming keep the ship afloat and rhythmically enriched. She can devastate without overemoting and while barely budging off a note. I was expecting to miss the horns (or be disappointed by a keyboard-replica of them) but the song is easily strong enough to stand up without their embellishment. Album: And Then Nothing Turned Itself Inside-Out (2000) Get Yo La Tengo setlists - view them, share them, discuss them with other Yo La Tengo fans for free on setlist.fm! It’s an ambient delight. Each version strongly evokes different emotions, even though the lyrics, about a fictional movie starring Courtney and Julie Christie, avoid any sort of emotional reflection. It turns the modest aspirations of the lyrics, with the band predicting a big day ahead while taking it slow and playing Rolling Stones covers, into an aching ode to making music for the love of making music. Kaplan sounds in disbelief that the person he used to think about all the time is now a part of his life, and although it’s easy to assume he’s literally singing about his wife and bandmate, the lyrics are both universal enough and non-committal enough to apply to almost any sort of relationship. They had experimented with noise in the past, but this was the album where they truly started to integrate their folk tendencies with their noise explorations. If someone else happens to be listenin… I don’t know if “Drug Test” was a college radio hit in 1989 but it should’ve been. The original album version is a big, anthemic rock song, something you blast from your car with the windows down or pump your fists along to at a concert. It starts with a lengthy instrumental intro that isn’t far removed from R.E.M. “Blue Line Swinger” almost sums up a 30 year career in just under 10 minutes, starting off fragile and indecisive before growing into a committed roar, with the band’s full complement of tricks— Hubley’s beautifully flat vocals, a freak-out solo, organ drones, “baa baa baas”— supporting a timeless riff. It’s sleek, from Kaplan’s jetstream guitars to the almost spoken harmonies to the basic song structure. Album: I Can Hear the Heart Beating as One (1997) 4 years ago. Album: Electr-O-Pura (1995) Album: Painful (1993) It’s not the best song she’s sung, but it’s her best vocal performance. But we’re talking about one song here, not the whole album, and “Detouring America With Horns,” the first song on the record, didn’t necessarily let the listener know what was in store for them. The band’s first decade saw a constantly shifting line-up around the core of Ira Kaplan and Georgia Hubley, the guitarist and drummer who share songwriting and singing duties. It’s not the best song she’s sung, but it’s her best vocal performance. There’s no wall of feedback, or anything, but gossamer webs of sound that pulse around a staccato bassline and muted drums. Fakebookis mostly an album of covers but one of its few originals is also one of the band’s most beloved songs. The video for this short pop blurt starred the now-defunct lo-fi faves Times New Viking masquerading as Yo La Tengo, which made perfect sense: At a time when incredibly noisy, incredibly catchy pop songs were making a major comeback among the record collector set, Yo La Tengo whipped up “Nothing to Hide” to remind everybody that they’d perfected this particular type of song decades before. Our top ten Yo La Tengo songs. It starts with Hubley’s soft voice in “Decora” floating atop a wash of guitar that has enough distortion and tremolo on it to pass for something off Loveless. It’s a wordless journey as cathartic as any song with vocals, and has both the loose charm of improvisation and the smartly designed structure of a pop song. This WFMU marathon version has Yo La Tengo being demoted to … Just over three years ago, I wrote about Yo La Tengo’s 20 best songs. before coasting into a uptempo pop song built around a tunefully overdriven guitar riff and Hubley’s hushed vocals, which are buried in the mix. 12 tracks (72:32). In a way it was the unofficial debut of the real Yo La Tengo. It shows up like a sunbeam about two-thirds of the way through another gorgeous, low-key Hubley love song. On the Fade album closer, stuttering percussion, guitar washes and tasteful horns gently blur together with Hubley and Kaplan’s understated vocals into a minor triumph. There’s a hint of Suicide’s minimal dread in that organ tone, along with the psychedelic paranoia of Oneida. Even the guitar solo, which is basically just an unruly clatter fed through who knows how many effects pedals, is tasteful. Garrett Martin edits Paste’s games section. I Am Not Afraid of You and I Will Beat Your Ass (2006) These aren’t complaints, though, as it’s a classic rocker and a winning stylistic exercise. “Ohm” is a great example of picking an idea and plowing through it until you’ve exhausted all of its possibilities. Freewheeling Yo La Tengo (1) I Am Not Afraid of You and I Will Beat Your Ass (3) Lollapalooza 1995 (1) Maquinaria Festival (1) Painful (1) Popular Songs (21) Reinventing the Wheel tour (4) Save Lounge Ax! It’s an immediate sign that they weren’t the same band anymore. Album: I Am Not Afraid of You and I Will Beat Your Ass (2006) Record: Shaker single (1993) The solo on “Pablo and Andrea” is surprisingly straight-forward, and almost has the lilt of a pedal steel. It’s significantly better than any 12-minute song about rock clubs misspelling a band’s name should probably be. Its tone and production resembles Summer Sun, but with more of a spark to it—instead of feeling overproduced and relatively listless, as that album did, it’s endearingly and quizzically shaggy, proudly wearing its improvisational inspiration on its sleeve. The acoustic version on the Camp Yo La Tengo EP is just as catchy but gorgeously delicate, with one of the best vocal takes of Hubley’s career. Occasionally Kaplan hits a discordant note, or lets out a guitar squeal, or otherwise adds an unexpected bit of emphasis to what he’s playing. He invited Yo La Tengo to his high school graduation because they were playing a show in town that night. He never got a response. Like “Motel 6,” they’ve had the occasional song over the years that could be classified as “shoegaze”. It’s sleek, from Kaplan’s jet-stream guitars to the almost spoken harmonies to the basic song structure. One of the album’s better songs was rescued in an EP later that year and given a rollicking rock’n’roll treatment in the vein of “Sugarcube” and the original “Tom Courtenay”. Each version strongly evokes different emotions, even though the lyrics, about a fictional movie starring Tom Courtney and Julie Christie, avoid any sort of emotional reflection.

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